Was lucky enough to have front row seats for one of the coolest, but definately the most strange/unique/trippy, shows I've ever been to. The friend who accompanied me to the show ended up describing Under Byen (pronounced Ooo-naah Boo-in, Danish for "under the city") as an "emotional Danish jam band" for lack of better descriptors, but I don't think he is that far off.
They've been labeled "post-rock" band and the band describes itself as a rock group using anything but guitar (including two drum kits and, to my delight, a saw!). I've also heard them often called a louder Sigur Ros or Bjork, which you can probably attribute to their use of Danish, rather than English, in their songs, which read like poems.
| Tindrer | Sparkles |
| Vi tindrer, vi raser | We sparkle, we rage |
| Vi gløder vi | We glow... we |
| Falder ikke til ro | Do not calm down |
| Slår os ikke ned | Do not strike us down |
| Vi er gale | We are crazy |
| Og fine | And fine |
| Skøre som glas | Fragile as a glass |
| Som parfurmeret papir | As a perfumed paper |
| Vist | Aparently |
| Vi mister | We lose |
| Hinanden | Eachother |
| Og kan ikke klare det | And cannot handle it |
| Og kommer aldrig over det | And never get over it |
| Fortabes | Forfeited |
| Begraves | Buried |
| I fremmede byer | In foriegn towns |
| Men husk vi er stadig i live | But remeber we are still alive |
| Vist | Apparently |
| Er vi det | Are we it |
But it is band's live performance that really seperates Under Byen from their Nordic contemporaries. The projections seemed almost like a Marimekko kalidoscope on acid, every loud note of percussion would bring a flash of the strobe and while the band members weren't playing, they were either absolutely still or silently rocking out in their own little world. However you characterize the band, the combination of the moving projected visuals and stobe light timed perfectly to the music and the theatrics surrounding the whole performance made for a very cool and special experience.
These videos from other Under Byen concerts can give you a small sense of the multi-dimensional performance.
"Pilot"
Unfortunately, I arrived too late to see El Perro del Mar, but did make it in time to see fellow Swede, Frida Hyvönen. She was decent, but not as good as her in-studio albums, however her stage presence was rather uncomfortable. Blogger Data Jockey at sickoffood.com has a good reveiw of both and nails Hyvönen spot-on.
If you can imagine Ritafrom Arrested Development playing the piano, well - I checked out the mens room and the merch table during her set. For real - “This is a song about poodles” which was actually about crickets and split ends.
The moral of the story is, stick with the CD for Frida Hyvönen, but if you have a change to see Under Byen play live, definately take advantage. They will blow you away.




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